“德学才识”说——中国古代的文学创作主体论

在中国古代“内重外轻”的文化模式和表情达意的文学倾向中，文学创作主体的能动作用和心灵素质一直受到关注。中明以后启蒙思潮的勃兴和个性意识的伸张，孕育、催生了一系列完整意义的创作主体说。综合而言。古代文学的创作主体论讨论得最多的是作家的“德”、“学”、“才”、“识”及其相互关系。它恰恰反映了中国古代文学本体强烈的表意特征对创作主体的内在要求。

Virtue, Learning, Talent and Insight --On the Agent of Literature Creation in Ancient China

The active function and mental characters of the agent of literary creation were focused on in ancient China. After Mid Ming Dynasty, a series of complete creative agent theories were born with the rising of enlightenment thinking and personality consciousness. Synthetically, the virtue, leraning, talent, insight and the relationships between each other were discussed frequently in the literary creative agent theories. And it reflected the inner requirement of the meaning expression of Chinese ancient literary noumenon to the creative agent.