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贾谊首用骚体“吊屈”及其开拓性意义
引用本文:高胜利. 贾谊首用骚体“吊屈”及其开拓性意义[J]. 萍乡高等专科学校学报, 2008, 25(4): 60-62
作者姓名:高胜利
作者单位:广西师范大学文学院,广西,桂林,541004
摘    要:
贾谊《吊屈原文》首用骚体"吊屈",其创作模式影响了两汉作家的文学创作。他从自身政治遭遇出发,在精神上与屈原达到高度共鸣,发愤抒情,首吊屈原,在新的大一统历史背景下对屈原及其作品作了历时性的文学阐释。他所开创的"吊屈"之先河,成为后世作家"吊屈"创作主题的优良传统。

关 键 词:骚体  吊屈  开拓性

Jia Yi's First Use of Sao Style in His "On Qu Yuan" and Its Pioneering Significance
Gao Shengli. Jia Yi's First Use of Sao Style in His "On Qu Yuan" and Its Pioneering Significance[J]. Journal of Pingxiang College, 2008, 25(4): 60-62
Authors:Gao Shengli
Affiliation:Gao Shengli (School of Chinese Language and Literature of Guangxi Normal University, Guilin 541004,China)
Abstract:
Jia Yi's "On Qu Yuan",the first use of Sao Style,his creation model had great impact on Literature creation of the authors of Han Dynasty;He,from the perspective of his own political experience,achieved a high degree of resonance with Qu Yuan.Jia Yi,the first politician to condole Qu Yuan,devoted great efforts in Lyric.Under the historical background of new great unification,he made interpretations on Qu Yuan and his works.He set a precedent "on the Qu",and it became a fine tradition of later writers' creative theme.
Keywords:Sao Style  On Qu Yuan  Pioneering
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