| 论曹禺后期戏剧的艺术构造逻辑 |
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| 引用本文： | 林婷.论曹禺后期戏剧的艺术构造逻辑[J].厦门理工学院学报,2005,13(4):108-112. |
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| 作者姓名： | 林婷 |
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| 作者单位： | 福建师范大学文学院,福建,福州,350007 |
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| 摘 要： | 在特定时代的意识形态制约下,曹禺后期戏剧的艺术建构逻辑发生了显著变化,表现为矛盾冲突类型由家庭转向社会,主题取代人物成为戏剧创作的最高目的,艺术风格与技巧也由沉郁丰赡转向明朗简淡。这一系列的变化导致曹禺后期戏剧的艺术魅力消退。
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| 关 键 词： | 曹禺 后期剧作 建构逻辑 |
| 文章编号： | 1008-3804(2005)04-0108-05 |
| 修稿时间： | 2005年3月28日 |
The Logical Construction of CAO Yu's Plays after 1949 |
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| LIN Ting.The Logical Construction of CAO Yu's Plays after 1949[J].Journal of Xiamen University of Technology,2005,13(4):108-112. |
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| Authors: | LIN Ting |
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| Abstract: | Restricted by the ideology of the time,CAO Yu's plays experienced evident changes in their construction after 1949.Conflicts were developed on the setting of the society rather than the family,themes instead of character became the highlight of his writing,and an explicit and simple tone replaced his original rich and profound style.All this resulted in the decline of the artistic charm in his plays. |
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| Keywords: | CAO Yu plays after 1949 logical construction |
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