审视康德和克罗齐美学中的主体性

以主体性为视角，以人类美学发展的整体流变为背景，将德国古典美学奠基人——康德与现代西方美学大家——克罗齐的美学思想进行比较研究。发现二所张扬的都是生命力的洋溢，精神的生生不息，情理的统一，都是对人的自由的肯定和尊严的认可。二昭示出，美学和艺术作为人类精神化不可缺少的一部分，必然成为承载人的自由本质的重要支柱。

A Survey on Kant and Croce's Aesthetic Subjectivity

Taking subjectivity as the visual angle and the overall development in human aesthetic thought as background, this paper compares the theories of Kant and Croce. By comparison, this paper finds that Croce's theory has been the succession and further development of Kant. And it is also found that both Kant and Croce magnify the spread of life-force, the vitality of mind, the consistency of sense and reason, and the respect for freedom and dignity. One of the most significant ideas they have made clear is that, as an integral part of human spiritual culture, aesthetics and art will certainly be important pillars, bearing the freedom willed nature of human being.