首页 | 本学科首页   官方微博 | 高级检索  
     检索      

论创造:再现、表现与象征及其物态化
引用本文:朱寿兴.论创造:再现、表现与象征及其物态化[J].曲靖师范学院学报,2011,30(2).
作者姓名:朱寿兴
作者单位:广西师范大学文学院,广西桂林,541001
摘    要:任何艺术作品都是人类精神活动的直接产物,也就是说,任何艺术产品都是人类的精神世界的感性展现。这种展现始终离不开形象,因而必然是某种意义上的再现;然而,这种展现终究是对人类的精神世界的形象呈现,因而本质上还是一种表现。更准确地说,任何艺术创作都是在再现中表现或在表现中再现而以表现为出发点和归宿的精神创造活动。正是再现中有表现、表现中有再现这一点,决定了任何艺术创作归根结底都是创造某种自成一体的象征物的活动,也就是说,任何艺术创造活动都是涵括了再现、表现和象征等因素在内的精神物态化活动。

关 键 词:象物  移情  抽象  构形  

On Creation:Reproduction,Performance,and Symbol as well as Their Physical State
Zhu Shouxing.On Creation:Reproduction,Performance,and Symbol as well as Their Physical State[J].Journal of Qujing Normal College,2011,30(2).
Authors:Zhu Shouxing
Institution:Zhu Shouxing (College of Chinese Language and Literature,Guangxi Normal University,Guilin Guinyxi 541004,P.R.China)
Abstract:Any work of art is the direct result of the activities of human spirit,that is,any work of art is the emotional display of human spirit.The display is always inseparable from the image,therefore it must be the reproduction in a sense,this display,however,is the image rendering of human spiritual world,and it is essentially a kind of performance.Exactly,any creation of art is the performance of the reproduction or the reproduction of the performance and is the spiritual creative activity as a starting and en...
Keywords:simulation of physical image  empathy  abstract  configuration  
本文献已被 CNKI 万方数据 等数据库收录!
设为首页 | 免责声明 | 关于勤云 | 加入收藏

Copyright©北京勤云科技发展有限公司  京ICP备09084417号