| 论艺术语言和"立象以尽意"的关系 |
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| 引用本文： | 晏慧琼,徐梅.论艺术语言和"立象以尽意"的关系[J].曲靖师范学院学报,2004,36(2):56-59. |
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| 作者姓名： | 晏慧琼 徐梅 |
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| 作者单位： | 1. 宣威市民族中学,云南,宣威,655400
2. 曲靖师范学院,中文系,云南,曲靖,655000 |
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| 摘 要： | 界定“艺术语言”、“意象”，解释“立象以尽意”的含义，论证“立象以尽意”是艺术语言的本体；艺术语言的创造过程是“立象以尽意”的过程，艺术语言的审美过程是析象悟意的过程。
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| 关 键 词： | 汉语言学 艺术语言 本体 意象 心象思维 析象悟意 |
| 文章编号： | 1009-8879(2004)02-0056-04 |
| 修稿时间： | 2003年11月8日 |
Thesis on the Relation Between the Artistic Language and Establishing Lively and Concrete Images to Express Abstract Meaning |
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| YAN Hui-qiong ,XU Mei.Thesis on the Relation Between the Artistic Language and Establishing Lively and Concrete Images to Express Abstract Meaning[J].Journal of Qujing Normal College,2004,36(2):56-59. |
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| Authors: | YAN Hui-qiong XU Mei |
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| Institution: | YAN Hui-qiong 1,XU Mei 2 |
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| Abstract: | Meaning",expound and prove that "establishing lively and concrete images to express abstract meaning" is the noumenon of artistic language;and that the creation process of the artistic language is the course of "establishing lively and concrete images to express abstract meaning" and that the process of the aesthetic appreciation is the course of analyzing the images and sensing the meaning. |
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| Keywords: | Chinese linguistics artistic language noumenon imagination thinking in images analyzing the images and sensing the meaning |
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