| "作者之死"之后--论艺术文本的独立性 |
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| 引用本文： | 钟晓文. "作者之死"之后--论艺术文本的独立性[J]. 龙岩学院学报, 2005, 23(4): 89-92 |
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| 作者姓名： | 钟晓文 |
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| 作者单位： | 福州大学外语学院,福建,福州,350002 |
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| 摘 要： | 罗兰·巴尔特的"作者之死"颠覆了作者的主宰地位,带来了读者的解放与自由,但读者的自由并不意味着"文本之死".文本也在"作者之死"后获得了独立地位,焕发着独立后的生命力,产生了独立后的存在意义文本的多极意义与诗性意义.确认文本的独立性不仅保证了读者的自由,也将带来作者的复活.
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| 关 键 词： | “作者之死” 文本意义 诗性意义 独立性 |
| 文章编号： | 1672-044X(2005)04-0089-04 |
| 修稿时间： | 2004-11-08 |
After "The Death of Author"--On the independent status of artistic text |
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| ZHONG Xiao-wen. After "The Death of Author"--On the independent status of artistic text[J]. Journal of Longyan Univercity, 2005, 23(4): 89-92 |
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| Authors: | ZHONG Xiao-wen |
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| Affiliation: | ZHONG Xiao-wen |
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| Abstract: | "The Death of Author"by Roland Barthes destructures the dominating status of author,which encourages the freedom of reader.However,the freedom of reader never implies "the death of text".Text gains its independent status after "the Death of Author"and acquires its own significance of being: multi-polar textual meaning and poetic meaning.The independent existing status of text will not only encourages the freedom of reader,but the existing meaning and revival of author. |
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| Keywords: | The Death of Author textual meaning poetic meaning independent status |
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