| 论鲁迅的戏曲批评：从“人学”视角进行解读 |
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| 引用本文： | 华金余.论鲁迅的戏曲批评：从“人学”视角进行解读[J].沈阳大学学报,2010,22(1):68-72,75. |
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| 作者姓名： | 华金余 |
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| 作者单位： | 华东师范大学,中文系,上海,200241 |
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| 摘 要： | 从鲁迅思想最为核心的基点——“人学”思想出发，对鲁迅的戏曲批评进行了分析研究，认为至今为止，学界对于鲁迅戏曲批评的研究在取得一些成就的同时，也存在着将鲁迅简化、提纯化的倾向，指出以个体自由为原则的生命意识为主要内涵的“人学”思想，是理解鲁迅戏曲批评的关键所在。
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| 关 键 词： | 鲁迅 戏曲批评 人学 |
On Lu Xun's Criticism of Traditional Opera:Interpretation from Perspective of Human Idea |
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| HUA Jinyu.On Lu Xun's Criticism of Traditional Opera:Interpretation from Perspective of Human Idea[J].Journal of Shenyang University,2010,22(1):68-72,75. |
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| Authors: | HUA Jinyu |
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| Institution: | HUA Jinyu(Department of Chinese Language , Literature,East China Normal University,Shanghai 200241,China) |
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| Abstract: | Lu Xun＇ s criticism of the traditional opera was analyzed, based on ＂human idea＂-- the core of his thinking. So far, the academic study of Lu Xun＇s opera criticism has made some achievements, but at the same time, there have a tendency to make Lu Xun simplified and purified. The ＂human idea＂ takes the life-consciousness as the main connotation, with the principle of individual freedom; and it is the key of understanding Lu Xun＇s criticism of the traditional opera. |
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| Keywords: | Lu Xun criticism of the traditional opera human idea |
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