叙述主体“我”与小说修辞意识

文本延伸必须展开叙述,而小说叙述视点又具有多样性与交错性：可以文本外＂旁观者＂视野叙述,也可以＂局内人＂修辞身份叙述。后者又包括＂我＂的一元叙述及文本内部人物间多元叙述。亦即叙述主体＂我＂分为＂假我＂、＂真我＂、＂无我＂或多元交错叙事模式。从M.巴赫金的＂狂欢＂理论出发,认为这几种＂我式叙述＂分别反映了文学话语在表达与接受过程中的＂熟悉化＂、＂陌生化＂、＂狂欢化＂修辞策略,同时显示出文本＂独白＂或＂对话＂性的修辞意识。

Analysis of the rhetorical intension in novels from ＂I＂,the narrator

The extension of a novel needs narration,which has abundant forms such as inner and outer narrations.The latter consists of ＂my narration＂ and ＂others＇narration＂.This paper focuses on a special form,＂my narration＂,including three different styles：＂fictive me＂,＂true me＂ and ＂no me＂.According to the ＂carnival theory＂ of Mr.Bakhtin,three rhetorical manners of ＂familiarization＂,＂estrangement＂ and ＂carnival＂ are revealed,and the rhetorical senses of ＂monologue＂ or ＂dialogue＂ are also implied.