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《风声》:小说与电影文本的叙事视角比较
引用本文:黄宝先.《风声》:小说与电影文本的叙事视角比较[J].皖西学院学报,2010,26(1):91-94.
作者姓名:黄宝先
作者单位:安徽师范大学,文学院,安徽,芜湖,241003
摘    要:从叙事视角的角度比较小说《风声》与电影《风声》的不同特点以及分别产生不同的叙事的效果。《风声》小说与电影文本在叙事视角上各有特点:小说《风声》是一个具多重叙事视角的文本,它注重叙事视角技巧的运用,以彰显叙述层次上的对比性张力、突出小说的内涵。而电影《风声》则主要采用相对单一的旁观者全知叙事视角来讲述故事,它注重从观众对故事情节、悬念的期待来设置叙事视角,以达到情节结构上的险象环生、环环相扣。

关 键 词:《风声》  小说  电影  叙事视角

The Message:The Comparisons of Novel Text and Film Text in Narrative View
HUANG Bao-xian.The Message:The Comparisons of Novel Text and Film Text in Narrative View[J].Journal of Wanxi University,2010,26(1):91-94.
Authors:HUANG Bao-xian
Institution:HUANG Bao-xian(School of Literature,Anhui Normal University,Wuhu 241003,China)
Abstract:This paper tries to compare the novel text with the film text in different narrative views.There are several different characteristics of narrative view between novel text and film text in The Message.There are multiple narrative views in novel text.It focuses on the usage of narrative view techniques and highlights the comparative tension of narrative levels in order to highlight the content of the novel text.There is a relative single narrative view in film text.It focuses on the expectations of suspense ...
Keywords:The Message  novel  film  narrative view  
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