《李尔王》的情节再探析——李尔故事的陌生化

围绕沙士比亚擅长用借来的情节作为创作的基础来造就他的伟大文本这一问题展开论述,指出莎士比亚对李尔故事的艺术改造过程正是他对原材料陌生化的过程,并认为这种陌生化主要体现在四个方面：对故事结局的悲剧性处理;对葛罗斯特次要情节的安排;对李尔愤怒起因的改造;暴风雨一场的设计。这一过程正好体现了莎翁创造的一个混乱不堪、混沌一片的艺术世界,表现了作者强烈的世纪末感受的创作意向。

Plot of King Lear:Unfamiliarity of Lear's Story

The issue that Shakespeare is good at borrowing plots as the basis of his great work is discussed.It is pointed out that,the artistic transformation process of Lear＇s story is just the process that Shakespeare makes his material unfamiliarity.There are four aspects in this process： the tragic ending of the story;the arrangements for minor story-line of Geluosite;the transformation of the cause of Lear＇s anger;and the design of the storm scene.This process would just reflect the creative intention of Shakespeare： create a confusing and chaotic art world to express the author＇s strong feelings of the end of the century.