清代两位诗话家对诗趣的集中论评与阐说

清代袁枚、朱庭珍对诗趣予以了集中论评与阐说。袁枚评诗推尚偏于由才性而催生出的"趣"的审美形态,他以"趣"为审美标的,以性灵为根本,以天才、真、自然为支点,建构出一个有别于他人的诗趣论系统。朱庭珍评诗反对"恶趣"、"魔趣",推尚意趣充蕴之作;他强调作诗要"培之以理趣之府",提出了"意趣活泼"的审美要求,在诗趣的生成创造上,则论及到由"情"而"趣"、由"思"而"趣",对诗中之趣语的运用也予以了界划。他们为古典诗趣论的最终深化和完善做出了突出的贡献。

The Central Discussion and Explanation to "Qu" of Two Poetry Theorist in Qing Dynasty

Yuan Mei and Zhu Ting-zhen,who were in Qing Dynasty,centrally discussed and explained the "Qu" in poetry.Yuan Mei highly praised the aesthetics forms of "Qu" produced by talent.He builded a different theoretical system of poetry "Qu" with the aesthetics goal of "Qu",the foundation of nature,and the pivot of talent,true and nature.Zhu Ting-zhen opposed wicked "Qu" and evil "Qu",highly praised the works which full of "Yi Qu".He emphasized to write poems must cultivate the full "Li Qu" heart,addressed the aesthetics request of vivid "Yi Qu",think to produce poetry "Qu" must by sentiment and thought.He also divided the word applying of poetry "Qu" too.Yuan Mei and Zhu Ting-zhen gave the outstanding contribution for final deepen and perfect of classical poetry "Qu" theory.