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从“气韵神境”论墨白与卡夫卡
引用本文:孙青瑜.从“气韵神境”论墨白与卡夫卡[J].中州大学学报,2013(3):49-53.
作者姓名:孙青瑜
作者单位:河南省文学院,郑州450008
摘    要:卡夫卡的小说以"梦境"穷极"梦境"的叙事手法颠覆了以实求实的现实主义叙事传统;墨白则通过对中国古典文学理论中的"神、气、韵、境"的"道悟",使他小说的叙事语言实现了最大的"陌生化"的效果;卡夫卡和墨白用各自不同的"虚"与"空",建构起不同的体悟生存现状的文学世界,同时为读者提供了一个阅读重构的叙事境域。

关 键 词:墨白  卡夫卡  叙事风格

Analogy of Mobai and Kafka' s Narration Style
SUN Qing-yu.Analogy of Mobai and Kafka' s Narration Style[J].Journal of Zhongzhou University,2013(3):49-53.
Authors:SUN Qing-yu
Institution:SUN Qing - yu ( Literary College of Henan, Zhengzhou 450008, China)
Abstract:Using "manifest content" and making an ultimate demonstration of dreamland, Kafka has made asubversive change of the narrative tradition of realism ; Nevertheless, by demonstrating cal literature theory, Mobai has maximize the effect of "strangeness" in the narrative the essence of Chinese classi- language of his novel. The re- spective different "emptiness" and "vacancy" in the novels of Mobai and Kafka have built up different experience of living condition in literature world. At the same time, provide readers a reconstrcuture of narrative area.
Keywords:Mobai  Kafka  narration style
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