| 论1920-1930年代浪漫主义话剧的审美特质——融入唯美主义与“精神分析学” |
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| 引用本文： | 沈后庆.论1920-1930年代浪漫主义话剧的审美特质——融入唯美主义与“精神分析学”[J].皖西学院学报,2012,28(3):127-130. |
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| 作者姓名： | 沈后庆 |
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| 作者单位： | 安庆师范学院黄梅剧艺术学院,安徽安庆,246133 |
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| 摘 要： | 融入唯美主义与"精神分析学"是1920—1930年代浪漫主义话剧重要的审美特质之一。唯美主义在题材、母题、艺术表现及语言形态方面与浪漫主义有着相近的审美特质,而浪漫派剧作家在表达唯美倾向之时,往往借助弗洛伊德的"精神分析学"建构作品,这与他们借此学说以达到扩展作品人物内心情感的表现手段有关。
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| 关 键 词： | 浪漫主义 话剧 审美特质 唯美主义 精神分析学 |
Aesthetic Charateristics of the Romantic Drama in the 1920s and 1930s——Integration into the Aestheticism and＂Psychoanalysis＂ |
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| SHEN Hou-qing.Aesthetic Charateristics of the Romantic Drama in the 1920s and 1930s——Integration into the Aestheticism and＂Psychoanalysis＂[J].Journal of Wanxi University,2012,28(3):127-130. |
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| Authors: | SHEN Hou-qing |
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| Institution: | SHEN Hou-qing(Huangmei Opera School of Arts,Anqing Teachers College,Anqing 246133,China) |
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| Abstract: | Integration into the aestheticism and ＂psychoanalysis＂ are the aesthetic charateristics of the romantic drama in the 1920s and 1930s.Aestheticism has the same aesthetic charateristics with romanticism in theme artistic expression and language patterns.While expressing aestheticism,the romantic playwrights often made use of Freud’s psychoanalysis to write their plays,which has something to with the way in which they wished to rich the characters’ inner emotions. |
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| Keywords: | romanticism drama aesthetic charateristics aestheticism psychoanalysis |
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